Bill Murray plays Bob Harris, an
ageing film star on a promotional trip to Nippon.
We join him as he struggles with jet lag, cultural differences
and language barriers. Basically when he is at a very low ebb
indeed. Bob is in a foreign country on his own, feeling lonely
and blue. Things don’t look good for Bob. Then in waltzes the
rather vivacious Charlotte (Scarlet Johansson). Just out of
college, she has arrived in Japan with her photographer husband,
as he has a photo shoot to do with one of Hollywood’s new
starlets. It becomes clear both Charlotte and Bob are in the
same place, not just geographically, but emotionally as well.
Both are suffering the impact of being in a place they don’t
understand, of being jet-lagged and of being in relationships
with people that they can no longer connect with and feel don’t
understand them. From the first meeting of Bob and Charlotte it
is obvious that they can fill in the pieces that are missing
from each others lives and even from their souls. Bob has been
where Charlotte is, and Charlotte still has the youth and
innocence that has been sucked out of Bob. When they meet the
connection is instant. The two have a natural, easy chemistry on
screen. There is nothing lascivious about their relationship.
This is not your standard Hollywood recipe for a relationship.
1. Take two people of opposite
sexes.
2. Throw in a couple of cheesy
romantic lines.
3. Season with a heartfelt but
shallow monologue.
4. Fill with graphic sex scenes.
5. Sprinkle with a
break-up/inevitable reconciliation
6. Bake in middle of oven for 45
mins at gas mark 5.
Nope, Lost in Translation is much
more than that. From the way the two look at each other, the way
they interact, make each other laugh. This is where you get the
very real feeling that these characters are meant for each
other. That they truly do feel for each other. Yet it is all
done so deftly, so subtly, it makes you yearn for this kind of
depth from all films. You wonder how any relationship in a block
buster is going to convince you ever again. This film is a
master class in human emotion, and how to project those feelings
through film. Really if you were not moved in some way by this
film then I strongly suggest that you stop watching American
Teen Movies and Rom-Coms for a year. Go out, interact with
people, watch weird, crap French films then once your brain has
been reset to “Human” mode instead of “Ape like Moron” mode,
come back, watch Lost in Translation again and if you still
don’t like it, you’re a weird emotionless freak and you should
perhaps look into a career in something like a professional
hitman. Some people seem to have had a problem with the age
difference between the two actors. Pish I say. It’s not the kind
of film where a young actress has been cast because that’s what
Hollywood does. Her youth is an irrelevance. The
connection and the magic in this film lie in the emotional
connection, not in the physical attraction. If you are too
shallow to see past this, then perhaps you really shouldn’t
watch grown-up’s films. Can I perhaps interest you in a Disney?
I don’t want to talk about what
actually happens scene by scene as I feel that would distil the
enjoyment for those who have not yet watched. Suffice to say
that if you are willing to invest some time and attention to a
totally different American movie experience, and are mature
enough to realise that love is not bound by such vacuous notions
as appearance, age etc, then spend some time in a weird and
wonderful Japan with Bill and Scarlet. You won’t be
disappointed. Oh and don’t dare ask what the last line of the
film is. Just use your freaking imagination.